Brandon Heath - Leaving Eden

Brandon Heath - Leaving Eden Review

By Brandon Heath. Piano/Vocal/Guitar Artist Songbook. Softcover. 80 pages. Published by Hal Leonard

Hal Leonard Rubank Elementary Method for Saxophone

Hal Leonard Rubank Elementary Method for Saxophone Review

Hal Leonard Rubank Elementary Method for Saxophone Feature

• Published by Rubank Publications 48 Pages
• Saxophone edited by N.W. Hovey
• Editor: N.W. Hovey

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NEW SAMICK GREG BENNETT EDEN PLAINS D4 TRANS BLACK CUT ACOUSTIC ELECTRIC GUITAR

NEW SAMICK GREG BENNETT EDEN PLAINS D4 TRANS BLACK CUT ACOUSTIC ELECTRIC GUITAR Review

NEW SAMICK GREG BENNETT EDEN PLAINS D4 TRANS BLACK CUT ACOUSTIC ELECTRIC GUITAR Feature

• Highly figured ash top, back and sides
• 6 ply reverse binding
• Grover tuners
• Dreadnought cutaway
• Acoustic/electric with Clearwave 10 - A 4-band active EQ with build-in tuner

NEW SAMICK GREG BENNETT EDEN PLAINS D4 FIGURED ASH BODY TRANS BLACK CUTAWAY ACOUSTIC ELECTRIC GUITAR

Features

The EDEN PLAINS series acoustics offer a dramatic look, with jewel colors laid over highly figured ash grains. To achieve this effect, the selection of wood is critical for both the beauty of the grain and the ability of the wood to take a color.

If you put translucent green over brown wood, the result will be disappointing at best. The dense reflective character of ash gives the guitar a great look, and its acoustical properties provide a broad, clear sound with great high-mids.

Rubank Intermediate Method for Cornet or Trumpet: A Follow Up Course for Individual or Like-Instrument Class Instruction

Rubank Intermediate Method for Cornet or Trumpet: A Follow Up Course for Individual or Like-Instrument Class Instruction Review

Rubank Intermediate Method for Cornet or Trumpet: A Follow Up Course for Individual or Like-Instrument Class Instruction Feature

• Published by Rubank Publications 48 Pages
• Cornet/Trumpet edited by Joseph E. Skornicka
• Editor: Joseph E. Skornicka

Hal Leonard Rubank Intermediate Method Cornet Or Trumpet

Eden WTX500 and D210XST Bass Stack Gold 4 ohm

Eden WTX500 and D210XST Bass Stack Gold 4 ohm Review

Eden WTX500 and D210XST Bass Stack Gold 4 ohm Feature

• Eden's proprietary Enhance control3-band EQ with Dynamic Bass Boost and Mid-shift functionsSwitchable automatic compressionStudio-quality DI with level, ground lift and Pre/Post-EQ select-12dB Input PadFX loopStereo Aux InputsTuner and Headphone outputsTwo 1/4" and one NL-4 (Speakon) Speaker outputsOptional Footswitch for Mute and Enhance Bypass functionsRackmountable with optional mounting hardwareMade in USAD21XST Cabinet:2 - 10" cast frame woofersE-2700 cast bell tweeterFront-ported designRoa

Designed for the traveling musician, the Eden WTX500 head is super-portable and usable anywhere in the world without modificationsjust attach the appropriate power cord and the WTX-500 adjusts accordingly.The pre-amplifier section of the WTX500 is based on the Golden Ear chip for amazing warmth and musicality. This chip is used in ultra-high-end recording consoles, and it's powered by a unique Analog Switching Amplifier that delivers 500W RMS.Enhance control allows quick, one-knob tonal adjustments. 3-band EQ with Dynamic Bass Boost and Mid-shift functions help you dial in your sound.Eden has designed the D210XST cabinet for the player who needs a portable, high-performance rig with even more low end than that found in the XLT series cabs. It features Eden's XST speakers that handle more power than XST woofers and deliver a fuller low end and more overall output. The low end is full yet still tight, the mids are open and well defined, and the highs are clear and crisp. Check the drop-down menu to the right to select colors and/or other options.

Eden EX110 Bass Cabinet

Eden EX110 Bass Cabinet Review

Eden EX110 Bass Cabinet Feature

• 1x10" full range Eden designed speaker.
• 1 Heavy duty corner carrying handle.
• 300 Watts RMS power handling.
• Impedance: 4 or 8 ohm.
• Frequency response: 48 Hz - 13kHz

Compact 1x10" cabinet with Eden designed Special Full range 300w speaker, heavy duty easy-carry steel handle

Eden: Out of Time and Out of Space

Eden: Out of Time and Out of Space Review

(Chamber Concerto for Guitar and Ensemble). By George Rochberg. Chamber ensemble. For Flute, Clarinet, Horn, Violin, Viola, Cello, Guitar Solo. This edition: full score. The first performances took place in Portland on July 2 and 3, 1998, with subsequent performances in New York on November 15 and 17, 1998. Classical. Full score (study). Standard notation. Composed DECEMBER 14 1997. 30 pages. Duration 20 minutes. Published by Theodore Presser Company

Children of Eden

Children of Eden Review

(Vocal Selections). By Stephen Schwartz. Vocal Selections. Softcover. 88 pages. Published by Hal Leonard

Eden: Out of Time and Out of Space

Eden: Out of Time and Out of Space Review

(Chamber Concerto for Guitar and Ensemble). By George Rochberg. Chamber ensemble. For Flute, Clarinet, Horn, Violin, Viola, Cello, Guitar Solo. This edition: full score. The first performances took place in Portland on July 2 and 3, 1998, with subsequent performances in New York on November 15 and 17, 1998. Classical. Full score (study). Standard notation. Composed DECEMBER 14 1997. 30 pages. Duration 20 minutes. Published by Theodore Presser Company

Annie Moses Band - Eden

Annie Moses Band - Eden Review

By Annie Moses Band. Songbooks and Folios. 97 pages. Brentwood-Benson Music Publishing #4575711357. Published by Brentwood-Benson Music Publishing

NEW SAMICK GREG BENNETT EDEN PLAINS D4 FIGURED CUTAWAY ACOUSTIC ELECTRIC GUITAR

NEW SAMICK GREG BENNETT EDEN PLAINS D4 FIGURED CUTAWAY ACOUSTIC ELECTRIC GUITAR Review

NEW SAMICK GREG BENNETT EDEN PLAINS D4 FIGURED CUTAWAY ACOUSTIC ELECTRIC GUITAR Feature

• Highly figured ash top, back and sides
• 6 ply reverse binding
• Grover tuners
• Dreadnought cutaway
• Acoustic/electric with Clearwave 10 - A 4-band active EQ with build-in tuner

NEW SAMICK GREG BENNETT EDEN PLAINS D4 FIGURED ASH BODY ANTIQUE NATURAL CUTAWAY ACOUSTIC ELECTRIC GUITAR

Features

The EDEN PLAINS series acoustics offer a dramatic look, with jewel colors laid over highly figured ash grains. To achieve this effect, the selection of wood is critical for both the beauty of the grain and the ability of the wood to take a color.

If you put translucent green over brown wood, the result will be disappointing at best. The dense reflective character of ash gives the guitar a great look, and its acoustical properties provide a broad, clear sound with great high-mids.